We’ve reached a strange—some would say unusual—point. While fighting world hunger continues to be the matter of vital importance according to a recent report from the World Health Organization (WHO), more people now die from being overweight, or say, from being extremely fat, than from being underweight. It’s the good life that’s more likely to kill us these days.
Worse, nearly l8 million children under the age of five around the world are estimated to be overweight. What’s going on?
We really don’t have many excuses for our weight problems. The dangers of the problem have been drilled into us by public-health campaigns since 2001 and the message is getting through—up to a point.
In the 1970s, Finland, for example, had the highest rate of heart disease in the world and being overweight was its main cause. Not any more. A public-health campaign has greatly reduced the number of heart disease deaths by 80 per cent over the past three decades.
Maybe that explains why the percentage of people in Finland taking diet pills doubled between 2001 and 2005, and doctors even offer surgery of removing fat inside and change the shape of the body. That has become a sort of fashion. No wonder it ranks as the world’s most body-conscious country.
We know what we should be doing to lose weight—but actually doing it is another matter. By far the most popular excuse is not taking enough exercise. More than half of us admit we lack willpower.
Others blame good food. They say: it’s just too inviting and it makes them overeat. Still others lay the blame on the Americans, complaining that pounds have piled on thanks to eating too much American-style fast food.
Some also blame their parents—their genes. But unfortunately, the parents are wronged because they’re normal in shape, or rather slim.
It’s a similar story around the world, although people are relatively unlikely to have tried to lose weight. Parents are eager to see their kids shape up. Do as I say—not as I do

  1. 1.

    What is the “strange” point mentioned in the first sentence?

    1. A.
      The good life is a greater risk than the bad life
    2. B.
      Starvation is taking more people’s lives in the world
    3. C.
      WHO report shows people’s unawareness of food safety
    4. D.
      Overweight issue remains unresolved despite WHO’s efforts
  2. 2.

    Why does the author think that people have no excuse for being overweight?

    1. A.
      A lot of effective diet pills are available
    2. B.
      Body image has nothing to do with good food
    3. C.
      They have been made fully aware of its dangers
    4. D.
      There are too many overweight people in the world
  3. 3.

    The example of Finland is used to illustrate ______

    1. A.
      the cause of heart disease
    2. B.
      the fashion of body shaping
    3. C.
      the effectiveness of a campaign
    4. D.
      the history of a body-conscious country
  4. 4.

    Which would be the best title for the passage?

    1. A.
      Actions or Excuses?
    2. B.
      Overweight or Underweight?
    3. C.
      WHO in a Dilemma
    4. D.
      No Longer Dying of Hunger
ACCA
文章大意:議論文,討論了我們到一個了怪圈,不是饑餓,而是生活好,讓我們死去的風險更大。
1.根據(jù)文章第一段,特別是最后一句:It’s the good life that’s more likely to kill us these days.可理解得出,因為生活好,我們超重,發(fā)胖,這比因過瘦而死去的人還多。故選A。好的生活比壞的生活,具有更大的風險。
2.根據(jù)文章第三段第二句:The dangers of the problem have been drilled into us by public-health campaigns since 2001 and the message is getting through—up to a point.關鍵詞:public-health campaigns
3.根據(jù)文章第四段:A public-health campaign has greatly reduced the number of heart disease deaths by 80 per cent over the past three decades.可理解得出。
4.根據(jù)本文的意思,特別是第三段:We really don’t have many excuses for our weight problems.和最后一段: Do as I say—not as I do.等議論性語言可知。
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  1. 1.

    On hearing the writer’s decision, most people _____

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  1. 1.

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  1. 1.

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Parents have widely different views on the problem of pocket money . Four new fathers were asked this question and this is how they answered .
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  1. 1.

    Ashish Khanna may agree that       

    1. A.
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    2. B.
      he can take much control of his child by money
    3. C.
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    4. D.
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  2. 2.

    The underlined phrase “ on the sly ” in Paragraph 3 is the closest in meaning to “       ”

    1. A.
      for free
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    3. C.
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    4. D.
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  3. 3.

    What do Rakesh Shah and Rajiv Patel have in common ?

    1. A.
      They want their children to learn to manage money
    2. B.
      They ask their children to get pocket money by working
    3. C.
      They teach their children the difficulty of making money
    4. D.
      They allow their children to spend money freely
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    According to Vikram Desai , children’s earning money by themselves makes them know that      

    1. A.
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    2. B.
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    3. C.
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    4. D.
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    Who would give his child pocket money every month ?

    1. A.
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It is a truth universally acknowledged that a single man in possession of a good fortune must be in want of a wife.
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“Bingley.”
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“Oh! Single, my dear, to be sure! A single man of large fortune; four or five thousand a year. What a fine thing for our girls!”
How so? How can it affect them?
“My dear Mr. Bennet,” replied his wife, “how can you be so tiresome! You must know that I am thinking of his marrying one of them.”
“Is that his design in settling here?”
“Design! Nonsense, how can you talk so! But it is very likely that he may fall in love with one of them, and therefore you must visit him as soon as he comes.”
“I see no occasion for that. You and the girls may go, or you may send them by themselves, which perhaps will be still better, for as you are as beautiful as any of them. Mr. Bingley may like you the best of the party. ”

  1. 1.

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    1. A.
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    3. C.
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    4. D.
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    From the conversation between the Bennets, we can conclude that Mrs. Bennet _______

    1. A.
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    2. B.
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    3. C.
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    4. D.
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    1. A.
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    3. C.
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    4. D.
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科目:高中英語 來源: 題型:閱讀理解

Jean-Michael Lourdis was a promising young pianist. But when the young man played, it seemed to him, as if his hands were iron. He worried so much about his playing that he became oversensitive (過度敏感的) to the comments of his playing. Unfortunately, in those days, a critic(批評家) was not considered a critic, unless he found something wrong. This attitude of the critics would often leave the young man ready to give up his dream and return home.
He was invited to play in Helsinki. The rich, the famous, the leaders of State were all there. Jean-Michael had one of those days when everything went wrong. That night as he played, he felt as if it were the worst concert of his young life. The next day, in the newspapers, some of the comments were so unkind. The young musician was painful.
That day, as he sat in his hotel room in total despair(絕望), there came a knocking at his door. He had a visitor.The famous Finnish composer(作曲家) Jean Sibelius had come by to congratulate the young pianist on his performance. Jean-Michael asked how he thought of that and began to quote some of the newspaper critics. “ Hands of iron. No imagination. Little skill. No joy. Don't you hear what they say?” he asked.
  Jean Sibelius looked at young Jean-Michael and said, “Remember, son, there is no city in the world where they have erected a statue(雕像) for a critic.”

  1. 1.

    According to the passage, Jean-Michael Lourdis _______

    1. A.
      was a bad pianist
    2. B.
      cared too much about what the critics had said
    3. C.
      refused to play in Helsinki
    4. D.
      was praised highly by the critics
  2. 2.

    A critic in those days usually _______

    1. A.
      found fault with musicians' performances
    2. B.
      said kind and encouraging words to musicians
    3. C.
      helped musicians become famous
    4. D.
      asked more people to go to concerts
  3. 3.

    The young musician was painful because _________

    1. A.
      he was very strict with himself
    2. B.
      he didn’t trust himself
    3. C.
      some of the comments were so unkind
    4. D.
      he felt lonely in his hotel room
  4. 4.

    Jean Sibelius came to visit the young musician because ________

    1. A.
      he wanted to tell the young man the critics were right
    2. B.
      he wanted to tell the young man not to lose his temper at that time
    3. C.
      he wanted to tell the young man his performance was great
    4. D.
      he wanted to tell the young man to respect the critics’ opinion

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