In the 1950s, a family that owned a farm near Beulah, Michigan kept a bull chained to an elm (榆樹). The bull paced around the tree, dragging the heavy iron chain, which led to a groove (槽) in the bark . The groove deepened over the years. Though for whatever reason, it did not kill the tree.
After some years, the family took their bull away. They cut the chain, leaving the loop around the tree and one link hanging down.
Then one year, agricultural disaster struck Michigan in the form of Dutch Elm Disease. All of the elms lining the road leading to the farm became infected and died. Everyone thought that the old elm would be the next.
The farm owners considered doing the safe thing: pulling it out and cutting it up into firewood before it died. But they simply could not bring themselves to do it. It was as if the old tree had become a family friend. So they decided to let nature take its course.
Amazingly, the tree did not die. Nobody could understand why it was the only elm still standing in the county!
Plant experts from Michigan State University came out to observe the tree. They observed the scar left by the iron chain, now almost completely covered by bark. The experts decided that it was the chain that saved the elm’s life. They reasoned that the tree must have absorbed so much iron from the chain that it became immune to the virus.
It’s said that what doesn’t kill you will make you stronger. Or, as Earnest Hemingway put it, "Life breaks us all, but afterwards, many of us are strongest at the broken places."
【小題1】What did the family do with the elm when the agricultural disaster hit Michigan one year?
A.They invited plant experts to observe it. |
B.They pulled it out and chopped it up into firewood. |
C.They prevented it from being infected by the disease. |
D.They did nothing and just let it be. |
A.A groove formed because of natural forces. |
B.The family decided to keep the tree because they had become attached to it. |
C.All of the elms in Beulah, Michigan died of the disease. |
D.The plant experts advised the family to chop it down. |
A.The bull. | B.The groove. | C.The iron chain. | D.The experts. |
A.Let nature take its course |
B.Strengthened by our wounds |
C.Constant dripping wears away a stone |
D.Bend, but don’t break |
【小題1】D
【小題2】B
【小題3】C
【小題4】B
解析試題分析:在一個(gè)農(nóng)場了,一顆榆樹上用鐵鏈子拴住一頭牛,牛整天圍著樹轉(zhuǎn),形成了深深的疤痕,后來牛被牽走了,留下了鐵鏈。一年榆樹遭災(zāi),許多樹感染死亡,而這顆榆樹卻活了下來。專家說是鐵鏈子使榆樹有了免疫力。通過講述一棵榆樹的命運(yùn)向讀者講述這樣一個(gè)道理:傷疤困難會(huì)使我們更堅(jiān)強(qiáng)地戰(zhàn)勝困難,取得勝利。
【小題1】細(xì)節(jié)理解題。根據(jù)文中的So they decided to let nature take its course.可知,他們決定順其自然和D項(xiàng)意思一致。
【小題2】推理判斷題。A。第一段介紹:槽不是自然的力量,而是主人把一頭牛用一個(gè)鏈子拴在樹上形成的;根據(jù)第三段的描述,這家人把樹看作是一個(gè)朋友;所有通往農(nóng)場的道路兩邊的榆樹都死了;文中沒有提到植物專家的事。所以其他都不對(duì),只有B正確。
【小題3】細(xì)節(jié)理解題。根據(jù)文中的The experts decided that it was the chain that saved the elm’s life.可知,是鐵鏈子救了榆樹的命。所以選C。
【小題4】主題歸納題。根據(jù)最后一段的意思可知:傷痛使人更堅(jiān)強(qiáng)。所以選B。
考點(diǎn):故事類閱讀。
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科目:高中英語 來源: 題型:閱讀理解
Mr. Grey was the manager of a small office in London. He lived in the country, and came up to work by train. He liked walking from the station to his office unless it was raining, because it gave him some exercise. One morning he was walking along the street when a stranger stopped him and said to him, “You may not remember me, sir, but seven years ago I came to London without a penny in my pockets, I stopped you in this street and asked you to lend me some money, and you lent me £ 5, because you said you were willing to take a chance so as to give a man a start on the way to success.”
Mr Grey thought for a few minutes and then said, “Yes, I remember you. Go on with your story!” “Well,” answered the stranger, “are you still willing to take a chance?”
【小題1】How did Mr. Grey get to his office?
A.He went up to work by train. |
B.He walked to his office. |
C.He went to his office on foot unless it rained. |
D.He usually took a train to the station and then walked to his office if the weather was fine. |
A.he couldn’t afford the buses |
B.he wanted to save money |
C.he wanted to keep in good health |
D.he could do some exercises on the way |
A.give him a start in life | B.help him on the way to success |
C.make him rich | D.gain more money |
A.wanted to return Mr. Grey the money |
B.a(chǎn)gain asked Mr. Grey for money |
C.would like to make friends with him |
D.told Mr. Grey that he had been successful since then |
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科目:高中英語 來源: 題型:閱讀理解
Every day, 15-year-old Martha wrote on the Internet about the meal she ate at school. She also took pictures of the food. However, Martha was very honest about the food. She did not just describe the food. She judged the taste and health of the food.
Martha also began to use her blog(博客)for an important reason. She began to raise(籌集)money for the organization Mary’s Meals in the East African country of Malawi. It provides food for children in schools for free. Martha encouraged her readers to send money to Mary’s Meals to help build a kitchen.
But then, Martha began to have a problem. Many people read her blog. She became big news. The news stories showed that the food at Martha’s school was not always healthy. And that made some people angry. So the school officials decided to stop Martha’s blog. They said that she could not take her camera to school.
But an amazing thing happened. Many people began sending messages of support across the Internet. Martha’s story was even bigger than before. Now the officials had to change their minds. A few days later, Martha was again writing her blog. But more than that, people had sent a lot of money for the Malawi school children. Martha had hoped to raise about 10,000 dollars. But the total reached 100,000 dollars and still kept on growing!
Martha’s blog also helped to improve meals at her school. One day she wrote: As we waited for dinner we were told that we are allowed to eat as much fruit and bread as we want.
No one knows what will happen to Martha’s blog in future. But already this little girl has helped to change the eating experience of many children just by sharing on the Internet pictures of her school meals.
【小題1】 Martha wrote about her school meals on her blog to __________.
A.invite students to judge the food |
B.show the terrible taste of the food |
C.express her opinion about the food |
D.a(chǎn)sk the school to improve the food |
A.was set up by Martha |
B.provides free school meals |
C.is an international organization |
D.helps poor families build kitchens |
A.It had a bad influence on her study. |
B.Some people were upset by its content(內(nèi)容). |
C.Taking pictures needs a lot of time. |
D.Many other students started to copy her. |
A.got a lot of support around the world |
B.helped improve children’s eating habits |
C.raised $10,000 for the Malawi school children |
D.has no idea what to write on her blog in future |
A.School Meals | B.Mary’s Meals |
C.Power of the Internet | D.Martha Shares Her Food |
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科目:高中英語 來源: 題型:閱讀理解
Louis Armstrong had two famous nicknames (綽號(hào)). Some people called him Bagamo. They said his mouth looked like a large bag. Musicians often called him Pops, as a sign of respect for his influence on the world of music.
Born in 1901 in New Orleans, he grew up poor, but lived among great musicians. Jazz was invented in the city a few years before his birth. Armstrong often said, “Jazz and I grew up together.”
Armstrong showed a great talent for music when he was taught to play the cornet (短號(hào)) at a boy’s home. In his late teens, Armstrong began to live the life of a musician. He played in parades, clubs, and on the steamboats that traveled on the Mississippi River. At that time, New Orleans was famous for the new music of jazz and was home to many great musicians. Armstrong learned from the older musicians and soon became respected as their equal.
In 1922 he went to Chicago. There, the tale of Louis Armstrong begins. From then until the end of his life, Armstrong was celebrated and loved wherever he went. Armstrong had no equal when it came to playing the American popular song.
His cornet playing had a deep humanity (仁愛) and warmth that caused many listeners to say, “Listening to Pops just makes you feel good all over.” He was the father of the jazz style and also one of the best-known and most admired people in the world. His death, on July 6, 1971, was headline news around the world.
【小題1】Armstrong was called Pops because he _________.
A.looked like a musician |
B.was a musician of much influence |
C.showed an interest in music |
D.traveled to play modern music |
A.by space | B.by examples | C.by time | D.by comparison |
A.His tale begins in New Orleans. |
B.He was born before jazz was invented. |
C.His music was popular with his listeners. |
D.He learned popular music at a boy’s home. |
A.The Invention of the Jazz Music | B.The Spread of Popular Music |
C.The Making of a Musician | D.The Father of the Jazz Style |
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科目:高中英語 來源: 題型:閱讀理解
My Way to Success
From the day I signed up for the Naumburg Competition, everything changed. I had made a decision to start again, to save my life, and that meant a 360-degree turnaround.
I kept on practicing. An enormous amount of work had to be done in two months. I went from not practicing at all to thirteen hours a day.
I spent two weeks just playing scales. If I thought I sounded bad before, now I sounded worse than awful.
At the time I lived on 72nd Street, close to West End Avenue. I had an apartment with a window the size of a shoebox. I didn't do mylaundry. I left my apartment only to walk to Juilliard─and not onBroadway like everyone else. I walked up Amsterdam Avenue because I didn't want to see anybody, didn't want to run into anybody, didn't want anyone to ask what I was doing.
I stopped going to classes and became a hermit. I even talked Miss DeLay into giving my lesson at night.
My eating habits were awful. I lived on fried sausages, a pint of peanut butter/chocolate ice cream, and a gallon of Coca-Cola every day. That's all I ate for eight weeks.
I was nuts. I was completely obsessed with getting back into shape, with doing well in this competition. If I could, people would know I was still on earth. Not to count me out; to stop asking, “Whatever happened to Nadja?”
The last week before the Naumburg auditions, I couldn't touch the violin. I had worked and worked and worked and worked and then I just couldn't work anymore.
I certainly could have used it. I wasn't as prepared as I should have been. But I simply had to say, “Nadja, you've dedicated yourself to this thing. Ready or not, do your best.”
Fifty violinists from around the world auditioned for the competition on May 25, 26, and 27, 1981. Those that made it past thepreliminaries would go on to the semifinals. Those that passed that stage would go to the finals. In years past, one violinist was chosen as winner and two received second and third place.
On May 26, the day of my audition, I went to the Merkin Concert Hall at 67th Street and Broadway. I waited, played for twenty minutes, and went home. I couldn't tell whether the preliminary judges were impressed or not. I'd find out the next evening.
Maybe subconsciously I was trying to keep busy; that night, when I fried the sausages, I accidentally set my apartment on fire. I grabbed my cat and my violin, and ran out the door. The fire was put out, but everything in my place was wrecked.
Fortunately, the phone was okay and on the evening of May 27, I had the news from Lucy Rowan Mann of Naumburg. Thirteen of us had made it.
Talk about mixed emotions. I was thrilled to be among the thirteen; a group that included established violinists, some of whom had already made records. But it also meant I had to play the next day in the semifinals of the competition.
Everyone entering the competition had been given two lists of concertos. One was a list of standard repertory pieces. The other list was twentieth-century repertory. For our big competition piece, we were to choose from each list and play a movement from one in the semifinals, and a movement from the other in the finals─if we made it that far.
From the standard repertory list, I chose the Tchaikovsky Concerto. I had been playing the Tchaik for three years, so it was a good piece for me.
From the twentieth-century list, I chose the Prokofiev G minor Concerto. I had never played it onstage before.
My goal had been just passing the auditions, but now my thought pattern began to change. If I wanted a sliver of a chance of advancing again, my brain said, “Play your strong piece first.”
Logically, I should play the Tchaikovsky in the semifinals just to make it to the next stage. Who cared if that left me with a piece I probably wouldn't play as well in the finals of the competition? It'd be a miracle to get that far.
There wouldn't be more than seven violinists chosen for the final round, and if I were in the top seven of an international group, that was plenty good enough.
The semifinals were held on May 28 in Merkin Concert Hall. You were to play for thirty minutes: your big piece first, then the judges would ask to hear another.
There was a panel of eight judges. They had a piece of paper with my choices of the Tchaikovsky and the Prokofiev in front of them. “Which would you like to play?” they asked.
I said meekly, “Prokofiev.”
My brain and all the logic in the world had said, “Play your strong piece.” My heart said, “Go for it all. Play your weak piece now, save Tchaikovsky for the finals.”
Maybe I don't listen to logic so easily after all.
My good friend, the pianist Sandra Rivers, had been chosen as accompanist for the competition. She knew I was nervous. There had been a very short time to prepare; I was sure there'd be memory slips, that I'd blank out in the middle and the judges would throw me out. My hands were like ice.
The first eight measures of the Prokofiev don't have accompaniment. The violin starts the piece alone. So I started playing.
I got through the first movement and Sandra said later my face was as white as snow. She said I was so tense, I was beyond shaking. Just a solid brick.
It was the best I'd ever played it. No memory slips at all. Technically, musically, it was there.
I finished it thinking, “Have I sold my soul for this? Is the devil going to visit me at midnight? How come it went so well?”
I didn't know why, but often I do my best under the worst of circumstances. I don't know if it's guts or a determination not to disappoint people. Who knows what it is, but it came through for me, and I thank God for that.
As the first movement ended, the judges said, “Thank you.” Then they asked for the Carmen Fantasy.
I turned and asked Sandy for an A, to retune, and later she said the blood was just rushing back into my face.
I whispered, “Sandy, I made it. I did it.”
“Yeah,” she whispered back, kiddingly, “too bad you didn't screw up. Maybe next time.”
At that point I didn't care if I did make the finals because I had played the Prokofiev so well. I was so proud of myself for coming through.
I needed a shot in the arm; that afternoon I got evicted. While I was at Merkin, my moped had blown up. For my landlord, that was the last straw.
What good news. I was completely broke and didn't have the next month's rent anyway. The landlord wanted me out that day. I said, “Please, can I have two days. I might get into the finals, can I please go through this first?”
I talked him into it, and got back to my place in time for the phone call. “Congratulations, Nadja,”“they said. “You have made the finals.”
I had achieved the ridiculously unlikely, and I had saved my best piece. Yet part of me was sorry. I wanted it to be over already. In the three days from the preliminaries to the semifinals, I lost eight pounds. I was so tired of the pressure.
There was a fellow who advanced to the finals with me, an old, good friend since Pre-College. Competition against friends is inevitable in music, but I never saw competition push a friendship out the window so quickly. By the day of the finals, I hated him and he hated me. Pressure was that intense.
The finals were held on May 29 at Carnegie Hall and open to the public. I was the fourth violinist of the morning, then there was a lunch break, and three more violinists in the afternoon.
I played my Tchaikovsky, Saint-Sa‘ns’s Havanaise, and Ravel's Tzigane for the judges: managers, famous violinists, teachers, and critics. I went on stage at five past eleven and finished at noon. Those fifty-five minutes seemed like three days.
I was so relieved when I finished playing; I was finished! It's impossible to say how happy I was to see the dressing room. I went out for lunch with my friends. It was like coming back from the grave. We laughed and joked and watched TV.
As I returned to Carnegie Hall to hear the other violinists, I realized I'd made a big mistake: they might ask for recalls. A recall is when they can't decide between two people and they want you to play again. It's been done; it's done all the time in competitions. No way was I in shape to go onstage and play again.
In the late afternoon, the competition was over. Everybody had finished playing. Quite luckily─no recalls.
The judges deliberated for an hour. The tension in the air was unbelievable. All the violinists were sitting with their little circle of friends. I had my few friends around me, but no one was saying much now.
Finally, the Naumburg Foundation president Robert Mann came on stage.
“It's always so difficult to choose ...” he began.
“Every year we hold this competition,” Robert Mann said. “And in the past, we've awarded three prizes. This year we've elected to only have one prize, the first prize.”
My heart sank. Nothing for me. Not even Miss Congeniality.
“We have found,” Mann went on, “that second place usually brings great dismay to the artist because they feel like a loser. We don't want anyone here to feel like a loser. Every finalist will receive five hundred dollars except the winner, who will receive three thousand dollars.”
And then he repeated how difficult it was to choose, how well everyone had played ...dah, dah, dah.
I was looking down at the floor.
“The winner is ...”
And he said my name.
A friend next to me said, “Nadja, I think you won!”
I went numb. My friends pulled me up and pointed me toward the stage. It was a long walk because I had slipped into a seat in the back. Sitting up in front was my old friend. I would have to walk right past him and I was dreading it, but before I could, he got up and stopped me.
He threw his arms around me and I threw my arms around him. I kept telling him how sorry I was. I was holding him and started to cry, saying, “I'm sorry, I'm sorry, I'm sorry.” I didn't want to lose, but I really didn't want him to lose either. And he was holding me and saying, “Don't be sorry. I'm so proud of you.” It was over, and we would be friends again.
I took my bow, then ran to Juilliard. Ten blocks uptown, one block west, to give Miss DeLay the news. She could be proud of me now, too.
Suddenly, everything was clear. Playing the violin is what I'd do with my life. Heaven handed me a prize: “You've been through a lot, kid. Here's an international competition.”
Everything had changed when I prepared for the Naumburg, and now everything changed again. I made my first recording. Between September 1981 and May 1982, I played a hundred concerts in America, made one trip to Europe, then two months of summer festivals. And people asked me back.
There was a great deal of anxiety playing in Europe for the first time. But I was able to rely on my self-confidence to pull me through.
Self-confidence onstage doesn't mean a lack of nerves backstage. The stakes had increased. This wasn't practice anymore, this was my life. I'd stare into a dressing-room mirror and say, “Nadja, people have bought tickets, hired baby-sitters, you've got to calm down; go out there and prove yourself.”
Every night I'd prove myself again. My life work had truly begun.
【小題1】In a gesture to prepare for the competition, Nadja did all the following except _________.
A.preoccupying herself in practice |
B.trying to carry out her deeds secretly |
C.a(chǎn)bandoning going to school for classes |
D.consuming the best food to get enough energy |
A.Four. | B.Five. | C.Six. | D.Seven. |
A.she forgot that there was going to be a recall |
B.she didn’t get hold of the permission to leave |
C.chances were that she had to replay and she was off guard |
D.there was another play she had to take part in in the afternoon |
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科目:高中英語 來源: 題型:閱讀理解
Anais Nin was a famous writer. Nin was born French-Cuban but lived in the United States in her later years of life till she died. Nin’s works had her relationships with authors, artists, and other figures as the main subject. Some of her writings were made into films. Nin was also a visiting lecturer in several colleges and promoted Women's Movement with her strong writings.
Anais Nin was born in France in 1903. Her father was a Spanish artist and a composer living in Cuba (古巴) where he met her mother, a French singer working in Cuba. As a child Nin was brought up in Spain. When her parents separated, Nin and her two brothers moved to New York with their mother. At the age of 16, Nin decided to give up studying and started to work as a dancer and model to reduce the financial burden on her mother so that her brothers could go on with their studies.
In 1923, Nin got married to her husband, Hugh Parker Guiler in Cuba. In 1924, Nin and Hugh moved to Paris where Hugh continued with his banking career and Nin started writing. Nin wrote her first book in print, D. H. Lawrence: An Unprofessional Study in 16 days. In 1939, Nin left Paris as it was a French government’s request to its residents to leave Paris because of the coming war. Nin returned to New York with Hugh and sent her written books to Frances Steioff of the Gotham Book Mart in New York for safekeeping.
In 1931, Nin wrote her book Henry and Jun: From the Unexpurgated Diary of Anais Nin. In 1936, Nin published House of Incest which was a 72-page fiction novel
Nin also appeared and was a part of various films. In 1973, Anais Nin was awarded an honorary doctorate (榮譽(yù)博士學(xué)位) by the Philadelphia College of Art. In 1974, Nin was elected to the United States National Institute of Arts and Letters.
In 1977, Nin died in her Los Angeles home after battling with cancer for three years.
【小題1】What can we know about Anais Nin from the first paragraph?
A.She was a native American. |
B.She started Women’s Movement |
C.She gave lectures in several colleges. |
D.She wrote mainly about her family life. |
A.Because she wanted to help support her family. |
B.Because her parents divorced. |
C.Because she wanted to realize her dream of becoming an artist |
D.Because she moved from country to country. |
A.enter the film industry | B.stay away from war |
C.have her books published | D.promote her new books |
A.The awards Anais Nin won. |
B.Anais Nin and her incomplete family. |
C.The hardship Anais Nin experienced. |
D.Anais Nin and her great achievements. |
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科目:高中英語 來源: 題型:閱讀理解
An African-American man named John Henry was the hero of former slaves and the people who built the railroads in the US in the 19th century.
John Henry was born a slave. He was known for his strength. Many people say he represents the spirit of growth in America during that period.
John Henry grew up in a world that did not let children stay children for long. Before he was six years old, he was carrying stones for workers building a nearby railroad. By the time John Henry was a young man, he was one of the best railroad workers in the country.
John Henry was asked to lead workers on a hard project, creating a tunnel through a mountain. The project required about 1,000 laborers and lasted three years. Hundreds of men became sick as a result of the hot weather and tiredness. John Henry was the strongest and fastest man. Concerned his friends might lose their jobs, he picked up their hammers and began doing their work. He worked day and night, rarely stopping to have a rest.
One day, a salesman came to the work area with a new drilling machine powered by steam. He said it could drill holes faster than twelve men working together.
John Henry looked at the machine and saw images of the future. He saw machines taking the place of America’s best laborers. He saw himself and his friends unemployed and sanding by a road, asking for food. He decided he would never let the machine take their jobs. Therefore, a competition between a man and a machine began .At first, the steam-powered drill worked twice faster. Then, John Henry started working with a hammer in each hand. He worked faster and faster. People cheered when the machine broke down and was pulled away. But they were sad to find John Henry fall to the ground, with blood spilling all around, and still holding a hammer in one of his hands.“I beat them,”he said. Then he took his last breath.
【小題1】What does the underlined part in Paragraph 3 most probably mean?
A.Many children in those days starved to death. |
B.Children at that time grew much faster. |
C.Children in those days had to work like adults. |
D.Children at that time couldn’t stay together. |
A.Because they had to work long hours. |
B.Because the weather was hot and they were tired. |
C.Because the project was too hard. |
D.Because they didn’t have time to eat. |
A.because he was the strongest and fastest man |
B.for fear that his friends would lose their jobs |
C.so that they could regain their strength |
D.in order be the hero of the railroad workers |
A.Kind and determined. | B.Cautious and considerate. |
C.Brave and strict. | D.Hardworking and stubborn. |
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科目:高中英語 來源: 題型:閱讀理解
David’s Haircut
When David steps out of the front door he is blinded for a moment by the white, strong sunlight and reaches for his dad’s hand automatically. It’s the first really warm day of the year, an unexpected heat that bridges the gap between spring and summer. Father and son are on their way to the barbershop, something they have always done together.
Always, the routine is the same. “It’s about time we got that mop of yours cut,” David’s dad will say, pointing at him with two fingers, a cigarette caught between them. “Perhaps I should do it. Where are those scissors, Janet?” Sometimes his dad runs after him round the living room, pretending to cut off his ears. When he was young, David used to get too excited and start crying, scared that maybe he really would lose his ears, but he has long since grown out of that.
Mr Samuels’ barbershop is in a long room above the chip shop, reached by a steep and worn flight of stairs. David follows his father. He loves the barbershop — it’s like nowhere else he goes. It smells of cigarettes and men and hair oil. Sometimes the smell of chips will climb the stairs along with a customer and when the door opens the waiting men lift their noses together. Black and white photographs of men with various out-of-fashion hairstyles hang above a picture rail at the end of the room, where two barber’s chairs are fixed to the floor. They are heavy, old-fashioned chairs with foot pumps that screams as Mr Samuels adjusts the height of the seat. In front of the chairs are deep sinks with a showerhead and long metal pipe attached to the taps, not that anyone seems to use them. Behind the sinks are mirrors and on either side of these, shelves overflowing with all types of plastic combs, shaving mugs, scissors, cut throat razors, hair brushes and, 10 bright red bottles of Brylcreem(男士發(fā)油), piled neatly in a pyramid. At the back of the room sit the customers, silent for most of the time, except when Mr Samuels breaks off from cutting and smoke his cigarette, sending a stream of grey-blue smoke like the tail of kite twisting into the air.
When it is David’s turn for a cut, Mr Samuels places a wooden board covered with a piece of red leather across the arms of the chair, so that the barber doesn’t have to bend to cut the boy’s hair. David scrambles up onto the bench.
“Hey, young man, you’re shooting up, you won’t need this soon, you’ll be able to sit in the chair,” the barber says.
“Wow,” says David, turning round to look at his dad, forgetting that he can see him through the mirror. “Dad, Mr Samuels said I could be sitting in the chair soon, not just on the board!”
“So I hear,” his father replies, not looking up from the paper. “I expect Mr Samuels will start charging me more for your hair then.”
“At least double the price,” said Mr Samuels, winking at David.
Finally David’s dad looks up from his newspaper and glances into the mirror, seeing his son looking back at him. He smiles.
“Wasn’t so long ago when I had to lift you onto that board because you couldn’t climb up there yourself,” he says.
“They don’t stay young for long do they, kids”, Mr Samuels declares. All the men in the shop nod in agreement. David nods too.
In the mirror he sees a little head sticking out of a long nylon cape. Occasionally he steals glances at the barber as he works. He smells a mixture of smelly sweat and aftershave as the barber moves around him, combing and cutting, combing and cutting.
David feels like he is in another world, noiseless except for the sound of the barber’s shoes rubbing on the plastic carpet and the click of his scissors. In the reflection from the window he could see through the window, a few small clouds moved slowly through the frame, moving to the sound of the scissors’ click.
Sleepily, his eyes dropping to the front of the cape where his hair falls softly as snow and he imagines sitting in the chair just like the men and older boys, the special bench left leaning against the wall in the corner. He thinks about the picture book of Bible stories his aunt gave him for Christmas, the one of Samson having his hair cut by Delilah. David wonders if his strength will go like Samson’s.
When Mr Samuels has finished, David hops down from the seat, rubbing the itchy hair from his face. Looking down he sees his own thick, blonde hair mixed among the browns, greys and blacks of the men who have sat in the chair before him. For a moment he wants to reach down and gather up the broken blonde hair, to separate them from the others, but he does not have time.
They reach the pavement outside the shop. “I tell you what, boy, let’s get some fish and chips to take home, save your mum from cooking tea,” says David’s dad and turns up the street.
The youngster is excited and catches his dad’s hand. The thick-skinned fingers close gently around his and David is surprised to find, warming in his father’s palm, a handful of his own hair.
【小題1】How old is David most probably age according to the context?
A.2 | B.4 | C.10 | D.17 |
A.Because David is not familiar with this place and tries to remember it. |
B.Because David develops great friendfish with the shop owner. |
C.Because the barbershop is a place that attracts him greatly. |
D.Because the barbershop is very traditional and David can see one nowhere else. |
A.showing his proudness of his son’s growth |
B.complaining about the price of the haircut |
C.expressing his thanks to the shopowner’s kindness |
D.counting his expense on his son’s haircut |
A.looks down upon those old, grey-haired men |
B.feels extremely excited about becoming a bigger boy |
C.thinks blond hair is much more precious than other color |
D.is quite curious about his broken blonde hair |
A.Dad runs after his son round the living room. |
B.Dad buys his son some fish and chips. |
C.Dad sees his son through the mirror. |
D.Dad holds some of his son’s hair in his palm. |
A.serious | B.light-hearted | C.critical | D.persuasive |
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科目:高中英語 來源: 題型:閱讀理解
Yesterday I went to our local grocery store. I often go to their deli counter, and I understand that it can get a little confused for the workers. So normally none of them ever take the time to smile or seem overly friendly. But yesterday it was completely different. I was pleasantly surprised to be greeted with a very welcoming smile by the young man behind the counter. He never sighed heavily or slumped back and forth like he didn’t want to be there. He was all by himself and quite a long line. But not once did he act concerned about it. He just did his job efficiently and acted very kind the entire time.
I was so impressed that I approached the manager. I explained to her that I often visit the deli counter and I have never been greeted with such kindness. She agreed with me that he was a wonderful person and she thanked me for sharing my feelings with her.
As I was walking away,I could hear her approaching the young man with,“I just got a wonderful compliment(praise) about you.” I couldn't hear everything she was saying,but I knew that she did thank him. I couldn't help but smile!
Later I had to pass by the deli counter to get onions. There was no one there,except the diligent young man. He didn't say anything,he just smiled at me. I realized that I hadn't done a huge deed that day,but that small deed made a small difference to someone.I love seeing people smile. I just received my smile cards and I wish I had one with me that day. Maybe I will drop one off at the deli a different day! It's amazing how good I felt after that.
So,friends,the next time you are in a grocery store,retail store,restaurant,or anywhere that someone is working hard,letting them know in some way can mean so much. I hope you get a smile out of it like I did!
【小題1】 The passage is mainly about .
A.friendship between the writer and a young man |
B.the power of a simple compliment |
C.a(chǎn) grocery store |
D.a(chǎn) diligent assistant |
A.the young man was very busy |
B.the young man was concerned about so many customers |
C.the writer was warmly greeted by a young man |
D.the young man acted very kind all the time |
A.thank him |
B.say hello to him |
C.complain about the service |
D.praise the young man |
A.smile to others at the deli one day |
B.give one card to the young man one day |
C.drop in at the deli one day |
D.go to the deli for a job one day |
A.Praising others' hard work means nothing. |
B.Helping others is always rewarding. |
C.We should never hesitate to praise hard-working persons. |
D.Not all good deeds deserve praise. |
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