Should we allow modern buildings to? be built next to older buildings in a historic area of  a city? In order to answer this question, we must first examine whether people really want to preserve the historic feel of an area. Not all historical buildings are attractive. However, there may be other reasons for example, economic (經(jīng)濟(jì)的) reasons-why they should be preserved. So, let us assume that historical buildings are both attractive and important to the majority of people. What should we do then if a new building is needed?
In my view, new architectural styles can exist perfectly well alongside an older style. Indeed, there are many examples in my own home town of Tours where modern designs have been placed very successfully next to old buildings. As long as the building in question is pleasing and does not dominate (影響) its surroundings too much, it often improves the attractiveness of the area.
It is true that there are examples of new buildings which have spoilt (破壞) the area they are in, but the same can be said of some old buildings too. Yet people still speak against new buildings in historic areas. I think this is simply because people are naturally conservative(保守的)and do not like change.
Although we have to respect people's feelings as fellow users of the buildings, I believe that it is the duty of the architect and planner to move things forward . If we always reproduced what was there before,we would all still be living in caves . Thus , I would argue against copying previous architectural styles and choose something fresh and different , even though that might be the more risky choice.
小題1:What does the author say about historical buildings in the first paragraph?
A.Some of them are not attractive.
B.Most of them ate too expensive to preserve.
C.They are more pleasing than modern buildings.
D.They have nothing to do with the historic feel of an area.
小題2:Which of the following is true according to the author ?
A.We should reproduce the same old buildings.
B.Buildings should not dominate their surroundings.
C.Some old buildings have spoilt the area they are in.
D.No one understands why people speak against new buildings.
小題3:By “move things forward ” in the last paragraph , the author probably means“     
A.Destroy old buildings
B.Put things in a different place
C.Choose new architectural styles
D.Respect people’s feelings for historical buildings
小題4:What is the main purpose of the passage?
A.To explain why people dislike change.
B.To warn that we could end up living in caves.
C.To admit how new buildings have ruined their surroundings.
D.To argue that modern buildings can be built in historic areas.

小題1:A
小題2:C
小題3:C
小題4:D

試題分析:文章是對于現(xiàn)在人們經(jīng)常討論的問題—是否現(xiàn)代的建筑應(yīng)該和古老的歷史建筑在一起---進(jìn)行闡述,在作者看來歷史建筑應(yīng)該保存,但是我們的建筑風(fēng)格也應(yīng)該改變,不能因?yàn)闅v史建筑破壞我們的生活。
小題1:細(xì)節(jié)題:根據(jù)第一段的句子:not all historical buildings are attractive.這是部分否定的句子,可知一些歷史建筑不夠有吸引力,所以選A
小題2:推理題:根據(jù)第三段的第一個句子:It is true that there are examples of new buildings which have spoilt (破壞) the area they are in, but the same can be said of some old buildings too.新建筑破壞了古建筑,而古建筑也是這樣,可知作者認(rèn)為一些歷史建筑將他們生活的地方破壞了,所以選C
小題3:句意理解題:根據(jù)文章第四段的句子:If we always reproduced what was there before,we would all still be living in caves .如果建筑師不改變建筑風(fēng)格,我們現(xiàn)在還住在山洞里面,可知“moving things forward”意思是“選擇新的建筑風(fēng)格”,所以選C。
小題4:寫作意圖題:根據(jù)文章第一段的第一個的句子:Should we allow modern buildings to? be built next to older buildings in a historic area of  a city?可知這篇文章是論證現(xiàn)代的建筑可以建在歷史遺跡的地方,所以選D。
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科目:高中英語 來源:不詳 題型:閱讀理解

It is quite reasonable to blame traffic jams, the cost of gas and the great speed of modern life, but manners on the road are becoming horrible. Everybody knows that the nicest men would become fierce tigers behind the wheel. It is all right to have a tiger in a cage, but to have one in the driver’s seat is another matter altogether.
Road politeness is not only good manners, but good sense too. It takes the most cool-headed drivers great patience to give up the desire to beat back when forced to face rude driving. On the other hand, a little politeness goes a long way towards reducing the possibility of quarrelling and fighting. A friendly nod or a wave of thanks in answer to an act of politeness helps to create an atmosphere of good will and calm so necessary in modern traffic conditions. But such behaviors of politeness are by no means enough. Many drivers nowadays don’t even seem able to recognize politeness when they see it.
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An experienced driver, whose manners are faultless, told me it would help if drivers learnt to correctly join in traffic stream without causing total blockages that give rise to unpleasant feelings. Unfortunately, modern drivers can’t even learn to drive, let alone master the roadmanship. Years ago, experts warned us that the fast increase of the car ownership would demand more give-and-take from all road users. It is high time for all of us to take this message to heart.
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A.drivers should avoid traffic jams
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C.unskillful drivers should be punished
D.drivers should show road politeness properly
小題3:The underlined word “give-and-take” in the last paragraph means “______”.
A.politeness and impoliteness
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D.willingness of each person to give in to each other’s wishes
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Tens of thousands of theatre tickets will be given away to young people next year as part of a government campaign to inspire a lifelong love for theatre.
The plan to offer free seats to people aged between 18 to 26—funded with £2.5 million of taxpayers’ money—was announced yesterday by Andy Burnham, the Culture Secretary. It received a cautious welcome from some in the arts world, who expressed concern that the tickets may not reach the most underprivileged.
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Ninety-five publicly funded theatres could apply for funding under the two-year plan. In return, they will offer free tickets on at least one day each week to 18 to 26-year-olds, first-come, first-served. It is likely to be on Mondays, traditionally a quiet night for the theatre.
Mr. Burnham said: “A young person attending the theatre can find it an exciting experience, and be inspired to explore a new world. But sometimes people miss out on it because they fear it’s ‘not for them’. It’s time to change this perception.”
Jeremy Hunt, the Shadow Culture Secretary, said: “The real issue is not getting enthusiastic children into the theatre, but improving arts education so that more young people want to go in the first place. For too many children theatres are a no-go area.”
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C.people know little about the plan
D.children used to receive good arts education
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科目:高中英語 來源:不詳 題型:閱讀理解

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