He gave me all what I needed.

            A        B  C  D

I am my mother’s third child. When I was born, her doctor gently explained to my mother that my left arm was    41    , below the elbow (肘部). Then he gave her some    42   . “Don’t treat her any    43    from the other girls. Demand more.” And she    44   .

My mother had to work to support our family. There were five girls in our family and we all had to    45   . Once when I was about seven, I came out of the    46   , “Mom, I can’t peel (削皮) potatoes. I only have one hand.”

“You get back to peel those potatoes, and don’t ever use that as a(n)    47    for anything again!”

Of course I could peel potatoes with my good hand while holding them down with my other arm. There was always a    48   , and Mom knew it. “If you try hard  49   ,” she’d say, “You can do anything.”

Once in the second grade, our teacher had each of us race across the monkey bars (高低杠). When it was my turn, I    50    my head. Some kids    51   . I went home crying.

After work the next afternoon, Mom took me to the school play-ground.

“Now, pull up with your right arm,” she advised. She stood by as I practiced, and she    52     me when I made progress.

I’ll never forget the    53    time I was crossing the bars. The kids were standing there with their mouths open.

It was the way with everything. When I    54    I can’t handle (處理) things, I see Mom’s smile again. She had the heart to    55    anything. And she taught me I could, too.   

41. A. missing               B. broken                  C. diseased            D. short

42. A. warning                 B. medicine             C. help                  D. advice

43. A. badly                  B. differently         C. well                  D. normally

44. A. did                        B. refused           C. cried                D. was

45. A. find out                 B. work out             C. carry out           D. help out

46. A. kitchen              B. bedroom         C. house               D. school

47. A. idea                    B. change                 C. excuse                D. tool

48. A. chance                B. way                  C. time                 D. success

49. A. enough               B. too                   C. again                D. often

50. A. hurt                    B. nodded              C. shook                D. turned

51. A. cheered               B. whispered          C. joked                D. laughed

52. A. helped                B. raised                C. praised              D. protected

53. A. first                    B. last                   C. wondered          D. next

54. A. admit                 B. fear                  C. find                  D. realize

55. A. face                    B. teach                 C. learn                 D. solve

Two hundred ______(被盜的) bicycles were returned to their owners last month.

Pet owners are being encouraged to take their animals to work，a move scientists say can be good for productivity，workplace morale（士氣），and the well-being (安寧, 幸福)of animals.

A study found that 25% of Australian women would like to keep an office pet. Sue Chaseling of Pet care Information Service said the practice of keeping office pets was good both for the people and the pets.“On the pets’ side，they are not left on their own and won’t feel lonely and unhappy，”she said. A study of major US companies showed that 73% found office pets beneficial（有益的），while 27% experienced a drop in absenteeism（缺勤）.

Xarni Riggs has two cats walking around her Global Hair Salon in Paddington.“My customers love them. They are their favorites，”she said.“They are not troublesome. They know when to go and have a sleep in the sun.”

Little black BJ has spent nearly all his two years “working” at Punch Gallery in Balmain. Owner Iain Powell said he had had cats at the gallery for 15 years.“BJ often lies in the shop window and people walking past tap on the glass，”he said.

Ms Chaseling said cats were popular in service industries because they enabled a point of conversation. But she said owners had to make sure both their co－workers and the cats were comfortable.

The percentage of American companies that are in favor of keeping office pets is ________.

A.73%              B.27%                C.25%              D.15%

We know from the text that “BJ” ________.

A. works in the Global Hair Salon              B. often greets the passers－by

C. likes to sleep in the sun                    D. is a two－year－old cat

The best title for this text would be ________.

A. Pets Help Attract Customers                B. Your Favorite Office Pets

C. Pets Join the Workforce                    D. Busy Life for Pets

How many men do housework? Recently a European commission(委員會) tried to find out people’s ideas and reactions to the women’s movement. As part of their survey(調查), they asked many men and women the question, “Who does the housework?” The men answered very differently from the women!

The housework they asked people about was: preparing meals, washing dishes, cleaning the house and babysitting. 48% of British husbands said they did these things. 37% of Danish(丹麥的) men helped in the house. But only 15% of Italian men said they did the housework; many of them said they never helped at all! 

But there was an interesting point of view from the wives. According to British wives, only 38% of their husbands helped in the house. And Italian wives said that their husbands hardly ever helped. The Italian and British men did not tell the truth! The Commission found that Danish men were the most truthful husbands; their answers were the same as their wives’ answers. 

Do the men you know help in the house? Do you think the survey gives a true picture in your experience? Write and tell us what you think. 

The survey was carried out in _______.

A. Britain         B. Italy          C. Denmark      D. Europe

The subject for the survey is_______. 

A. how many boys do the housework?    B. who does the housework at home

C. how many women do the housework?

D. who are more diligent, wives or husbands

From the passage we can see that _______.

A. there are more husbands who did the housework than wives

B. husbands do half of the housework all the time

C. there are more wives who do the housework than husbands

D. wives do almost all the housework at home

More _______ husbands help in the house than _______ husbands.

A. British; Danish         B. Italian; Danish      

C. Danish; British         D. Italian; British

The earliest controversies about the relationship between photography and art centered on whether photograph’s fidelity to appearances and dependence on a machine allowed it to be a fine art as distinct from merely a practical art. Throughout the nineteenth century, the defence of photography was identical with the struggle to establish it as a fine art. Against the charge that photography was a soulless, mechanical copying of reality, photographers asserted that it was instead a privileged way of seeing, a revolt against commonplace vision, and no less worthy an art than painting.

Ironically, now that photography is securely established as a fine art, many photographers find it pretentious or irrelevant to label it as such. Serious photographers variously claim to be finding, recording, impartially observing, witnessing events, exploring themselves—anything but making works of art. They are no longer willing to debate whether photography is or is not a fine art, except to proclaim that their own work is not involved with art. It shows the extent to which they simply take for granted the concept of art imposed by the triumph of Modernism: the better the art, the more subversive it is of the traditional aims of art.

Photographers’ disclaimers of any interest in making art tell us more about the harried status of the contemporary notion of art than about whether photography is or is not art. For example, those photographers who suppose that, by taking pictures, they are getting away from the pretensions of art as exemplified by painting remind us of those Abstract Expressionist painters who imagined they were getting away from the intellectual austerity of classical Modernist painting by concentrating on the physical act of painting. Much of photography’s prestige today derives from the convergence of its aims with those of recent art, particularly with the dismissal of abstract art implicit in the phenomenon of Pop painting during the 1960’s. Appreciating photographs is a relief to sensibilities tired of the mental exertions demanded by abstract art. Classical Modernist painting—that is, abstract art as developed in different ways by Picasso, Kandinsky, and Matisse—presupposes highly developed skills of looking and a familiarity with other paintings and the history of art. Photography, like Pop painting, reassures viewers that art is not hard; photography seems to be more about its subjects than about art.

Photography, however, has developed all the anxieties and self-consciousness of a classic Modernist art. Many professionals privately have begun to worry that the promotion of photography as an activity subversive of the traditional pretensions of art has gone so far that the public will forget that photography is a distinctive and exalted activity—in short, an art.

What is the author mainly concerned with? The author is concerned with

[A]. defining the Modernist attitude toward art.

[B]. explaining how photography emerged as a fine art.

[C]. explaining the attitude of serious contemporary photographers toward photography as art and placing those attitudes in their historical context.

[D]. defining the various approaches that serious contemporary photographers take toward their art and assessing the value of each of those approaches.

Which of the following adjectives best describes “the concept of art imposed by the triumph of Modernism” as the author represents it in lines 12—13?

[A]. Objective [B]. Mechanical. [C]. Superficial. [D]. Paradoxical.

Why does the author introduce Abstract Expressionist painter?

[A]. He wants to provide an example of artists who, like serious contemporary photographers, disavowed traditionally accepted aims of modern art.

[B]. He wants to set forth an analogy between the Abstract Expressionist painters and classical Modernist painters.

[C]. He wants to provide a contrast to Pop artist and others.

[D]. He wants to provide an explanation of why serious photography, like other contemporary visual forms, is not and should not pretend to be an art.

How did the nineteenth-century defenders of photography stress the photography?

[A]. They stressed photography was a means of making people happy.

[B]. It was art for recording the world.

[C]. It was a device for observing the world impartially.

[D]. It was an art comparable to painting.

When the foreigners appeared in the school, the pupils smiled at them friendly.

                            A                  B         C        D

Nothing but their voices were heard.

                A       B    C   D

Hearing her husband’s step on the stairs, Della’s face went pale.

          A                   B                    C   D

—What time do we have to be at the gate??

—_______ passengers start to board the plane.

A. Hurriedly?

B. Soon　?

C. Immediately?

D. Since?