Even if trees cannot walk, they are still on the move.

In parts of the Arctic, entire forests are moving northward. Across the Arctic, temperatures are rising faster than anywhere else in the world. As that happens, the tree line that marks where forests stop and the treeless tundra(凍原) starts has been moving northward. Trees growing along the tree line must protect themselves from the cold wind. To do this, plants tend to grow horizontal(水平的) branches low to the ground. The energy it takes for trees to grow this way means they don’t have enough energy to make seeds.

But as Earth’s climate has been warming, trees no longer have to just grow horizontally. Many can instead grow up toward the sky. This takes less energy. This happens especially in places where white spruce(白云杉) grows. White spruce, which is a North American trees, is quite able to produce a lot of seeds, which can move long distances in the wind. When wind-blown seeds end up on the tundra beyond the tree line, they finally sprout(發(fā)芽) new trees. This explains how a forest can move. Of course, the process would work only if the tundra were warm enough. But in recent years, the whole planet has been warming.

New trees will provide shelter for some snow. Keeping the sun’s rays from making the white surface disappear. Instead, the trees absorb(吸收) the sun’s heat. This warms the air around. The extra warmth encourages even more trees to produce seeds. That further increases a forest’s ability to expand(擴(kuò)展). What’s more, more trees will trap more snow, preventing much of it from being blown away. Snow can trap heat in the soil below, which encourages trees to grow. The recent rise of temperatures has helped more trees grow past the tree line. People worry about effects on the animals that depend on frozen conditions for food and shelter.

1.What is the main cause of the trees in the Arctic moving northward?

A. The reducing of northern tundra.

B. The rising temperature.

C. The cold and strong wind.

D. The rich resources in the north.

2.What does the underlined word “this” in Paragraph 2 mean?

A. To produce more seeds.

B. To move northward.

C. To respond to the climate change.

D. To protect themselves from the cold wind.

3. What can be inferred from the last paragraph?

A. New trees can trap the snow, which may make the soil colder.

B. The trapped snow prevents new trees from producing more seeds.

C. New trees can make the air around warmer.

D. New trees can bring more food and shelter to local animals.

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科目:高中英語(yǔ) 來(lái)源:2015-2016學(xué)年重慶萬(wàn)州第二高級(jí)中學(xué)高一3月考英語(yǔ)試卷(解析版) 題型:閱讀理解

We Chinese are not big huggers. A handshake or a pat on the shoulder is enough to express our friendship or affection (love) to one another. So when our newly-acquainted Western friends reach out in preparation for a hug, some of us feel awkward. Many questions go through our head. Where should I put my arms? Under their armpits or around their neck? What distance should I keep? Should our chests touch?

It’s even more difficult with friends from some European countries. Should I kiss them on the cheek while hugging? Which side? Or is it both cheeks? Which side should I start on?

But it isn’t just people from cultures that are conservative(保守的) in expressing physical contact who find hugging confusing.Hugs can cause discomfort or even distress(pain) in people who value their personal space.

In a recent article for The Wall Street Journal, US psychologist Peggy Drexler said that although the US remains a “medium touch” culture, Americans do seem to be hugging more. From politicians to celebrities(famous people), hugs are given to friends, strangers and enemies alike; whether they are willing or not; and the public has been quick to pick up the practice.

Public figures know that nothing expresses likeability(親和力)like a good hug. US First Lady Michelle Obama has put her arms around icy foreign leaders like Russian Prime Minister Dmitry Medvedev and the Queen of England on the latter occasion actually breaking the rule of royal manners.

But not all are grateful to be embraced(hugged), even by the most influential and famous. To them, any hug is offensive(冒犯的) if it’s not sincere.

Amanda Hess, writing for US magazine Slate, says public figures should stop imposing(強(qiáng)加) hugs on everyone they meet. For them, a hug is rarely a gesture of sincere fellowship, compassion or affection. It’s all part of a show. Hugs are falsely intimate power plays used by public figures to establish their social dominance(主導(dǎo)) over those in their grasp.

Cecilia Walden, a British journalist writing for The Telegraph who lives in New York, holds the same opinion. “Power-hugging”, as she calls it, is “an offender dressed up as kindness”. It has become a fashion in the US where “bosses are already embracing their staff (either shortly before or after firing them), men and women ,their friends or enemies, in a thousand cheating displays of unity”.

1.From the first third paragraphs, we can see that ___________.

A. we Chinese people don’t know how to hug

B hugs can bring pressure to people when used improperly

C. people from European countries often get puzzled about hugging

D. people in Western countries seldom use hugs to express their physical closeness

2.The example of US first lady Michelle Obama is given to show that __________.

A. hugs are forbidden in England

B. she is much liked by American people

C. Americans hold a “medium touch ”culture

D. public figures know hugging functions well in public

3.Which of the following is closest in meaning to the underlined phrase “pick up the practice”?

A.Follow the trend.

B.Enjoy the medium touch culture.

C.Give hugs to enemies.

D.Resist physical touch.

4.What can be the best title of this passage?

A. Hugs, tricky affair? B. Hugs, vital or not?

C. Hugs and public figures D. Hugs and power

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Car drivers can take a subway into the city center ______ cars always get stuck in the traffic jams.

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— This is the hardest interview I have ever experienced.

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書面表達(dá)

假如你是李華,是一名高中生。你從學(xué)校網(wǎng)站得知你校廣播站正在招聘兩名兼職英語(yǔ)播音員。請(qǐng)根據(jù)以下要點(diǎn)寫一封申請(qǐng)信。內(nèi)容包括:

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參考詞匯: broadcaster/ announcer(播音員)

Dear Sir or Madam,

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短文改錯(cuò)

假定英語(yǔ)課上老師要求同桌之問(wèn)交換修改作文,請(qǐng)你修改你同桌寫的以下作文。文中共有10處語(yǔ)言錯(cuò)誤,每句中最多有兩處。每處錯(cuò)誤僅涉及一個(gè)單詞的增加、刪除或修改。

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2.只允許修改10處,多者(從第11處起)不計(jì)分。

Cities, whether big and small, should be clean. Only when we live in a clean city we live a happy life. As we know, a clean city, that disease may be reduced and people’s health may be better, are good both to our mind and body. No one believes people lived in a dirty city with waste everywhere can live happy. However, for more and more people moving into cities, it is not easy to keep our city clean. Beside, some factories still pour out waste into the air, river and onto the ground, making it is hard to keep our city clean. To make our city a better place to live , we still have a lot to do.

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Moving made easy !

Okay, this is how we do it. Send your suitcases, backpacks, souvenirs, books, guitars, surfboards, TV or other items with us and We’ll provide you with:

Free boxes & packing material.

Free first delivery, pick-up & redelivery (subject to area)

Multilingual (使用多種語(yǔ)言的) customer service.

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Baggage Worldwide

You can send bags, boxes, backpacks and many other items with us wherever you want them to go. Send by our sea &/ or air service, depending on how quickly you want them to get there.

30 kg per box

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For moving your belongings from your address in one major city to another, within the UK.

30 kg per box

2 large boxes minimum for £84

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First standard box per week from £1.25

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Small studio flat, 11sqft Small MC from £199

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1.The company provides service .

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C.a(chǎn)ll over Europe. D.a(chǎn)round the world.

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B.Send them to the company.

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A.£498. B.£570. C.£769. D.£869.

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科目:高中英語(yǔ) 來(lái)源:2015-2016學(xué)年湖南衡陽(yáng)八中高一下期中考試英語(yǔ)試卷(解析版) 題型:閱讀理解

My challenge for you is this: to read a book for 15 minutes every single day for a month.

Let me explain a bit, by telling you where the challenge came from. I have many things in common with my dad, like music taste and sense of humor, but sadly reading isn’t one of them. I can happily spend a whole day with a book, but my dad can’t read a book for longer than about 5 minutes. He reads emails, websites and papers for work, but not books. He’s busy so I think sitting down to read for just 15 minutes a day is a good way to relax and to introduce him to reading.

My dad is by no means the only person who avoids books. I know lots of people would rather relax on their computers or in front of the TV. Everyone is different and has their own interests, but I think there’re lots of benefits to reading, which screen-based activities don’t have.

Firstly, it’s better for your eyes. Looking at screens can be very stressful for you eye muscles, and clearly you should avoid looking at screens for an hour before bed, to get a good night’s sleep.

One thing I personally love reading, is being transported to another world—I would often forget the time or things around me! Reading is a great way to switch off before you go to bed, because you think more about the world of the book, rather than the real world, so you can truly relax. I know you can be transported to a different world in a film or a TV show, but I think books do it better.

I also enjoy hearing what people are doing and finding out what they think. Reading gives me the chance to get to know hundreds of new people! It also teaches you to see things from other people’s point of view, and understand other people’s decisions or opinions. With a book, you can hear everything a character is thinking or feeling—you really can be inside someone else’s head!

So give it a go! Take 15 minutes when you’re waking up, going to bed, eating too much, or having a coffee. If you read a lot, why not try 15 minutes of an English book, or pass the challenge on to someone else? Good luck, and happy reading!

1.The author gives the example of his father in the text to show ___________.

A. his father is very busy

B. reading is very important to us

C. his father likes reading

D. many people have no habit of reading

2.The author writes the text mainly basing on ___________.

A. his personal experience

B. some scientific experiments

C. his father’s personal advice

D. knowledge from books

3.Which of the following can be the best title for the text?

A. Tips for Reading English Books

B. 15-Minute Reading Challenge

C. Having a Coffee While You Read

D. Ways to Improve Reading Skills

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科目:高中英語(yǔ) 來(lái)源:2016屆江蘇揚(yáng)州中學(xué)高三4月質(zhì)量監(jiān)測(cè)英語(yǔ)試卷(解析版) 題型:閱讀理解

Books, Films and Plays

The novelist’s medium is the written word, one might almost say the printed word. Typically the novel is consumed by a silent, individual reader, who may be anywhere at the time. The paperback novel is still the cheapest, most portable and adaptable form of narrative entertainment. It is limited to a single channel of information---writing. The narrative can go, effortlessly, anywhere: into space, people’s head, palaces, prisons and pyramids, without any consideration of cost or practical possibility. In determining the shape and content of his narrative, the writer is restricted by nothing except purely artistic criteria. The novelist keeps absolute control over his text until it is published and received by the audience. He may be advised by his editor to revise his text, but if the writer refused to meet this condition no one would be surprised. It is not unknown for a well-established novelist to deliver his or her manuscript(手稿) and expect the publisher to print it exactly as written.

However, not even the most well-established playwright or screenplay writer would submit a script and expect it to be performed without any rewriting. This is because plays and motion pictures are cooperative forms of narrative, using more than one channel of communication.

The production of a stage play involves, as well as the words of the author, the physical presence of the actors, their voices and gestures, the “set” and possibly music. Although the script is the essential basis of both stage play and film, it is a basis for subsequent revision negotiated between the writer and the other creative people involved. They are given “approval” of the choice of director and actors and have the right to attend rehearsals(排演), during which period they may undertake more rewriting work. In the case of the screenplay, the writer may have little or no control over the final form of his work. Contracts for the production of plays protect the rights of authors in this respect.

In film or television work, on the other hand, the screenplay writer has no contractual right to this degree of consultation. While the script is going through its various drafts, the writer is in the driver’s seat, although sometimes receiving criticism from the producer and the director. But once the production is under way, artistic control over the project tends to pass to the director. This is a fact overlooked by most journalistic critics of television drama, who tend(unlike film critics) to give all the credit or blame for success or failure of a production to the writer and actors, ignoring the contribution, for good or ill, of the director.

1.Where might you find the passage?

A. In a textbook.

B. In a movie magazine.

C. In a travelling brochure.

D. In a shopping guide.

2.Which of these subtitles would be most appropriate?

A. Why does the future look good for writers of books, plays and films?

B. What do audiences want from these three forms of entertainment?

C. How do these forms of media compare for their producers?

D. What benefit can we get from these forms of media?

3.Why can the novelist expect the publisher to print the manuscript exactly as written?

A. Because the novelist keeps absolute control over his text.

B. Because the paperback novel is most portable and adaptable.

C. Because the novel is limited to a single channel of information---writing.

D. Because the novelist is seldom advised by editors to revise the text.

4.Which of the following statements is True according to the passage?

A. Playwrights envy the simplicity of the novelist’s work.

B. Experience in the theatre improves the work of screenplay writers.

C. Screenplay writers usually have the final say in how a TV drama will turn out.

D. Playwrights are frequently involved in revising their work.

5.What can be implied from the last sentence of the passage?

A. TV critics often blame the wrong people for the failure of a program.

B. The director is a determining factor in the future of a television drama.

C. Few people know that the screenplay writer is often criticized by the director.

D. It is urgent for the film critics to realize their mistakes.

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